Culture

It seems nearly impossible, but the American watchmaking scene is now dominated by a flurry of micro-brands.

In this exhibit, Bosworth’s work makes constant and effective allusion to that of James Agee and Walker Evans.

An ambiguous hero, a defense of leaks, and the motivations of Watergate’s Deep Throat.

Let’s dispose of first things first: Buffalo’s City Hall gets its close-up in Reginald Hudlin’s Marshall, and it looks fine.

From the collection of Gerald Mead, works by artists affiliated with Villa Maria College, 1975 to the present.

This weekend at the Burchfield Penney, an extensive (and free) program of cinema from around the planet.

In his first solo show at Argus Gallery, the Buffalo artist riffs on the imagery and language of fear-based advertising of the mid-20th century.