Film
Gary Oldman in Darkest Hour.
If you’re so inclined, you can regard Joe Wright’s Darkest Hour as an unintended complement to Christopher Nolan’s recent epic Dunkirk. |
Udo Kier, Matt Damon, and Christopher Waltz in Downsizing.
But what about the worms? |
Daisy Ridley and Mark Hamill in The Last Jedi.
The central conflict has sufficient weight to hold writer-director Rian Johnson’s somewhat messy pastiche of The Empire Strikes Back and The Return of the... |
 The Night of the Hunter (1955), the final selection in Alex Weinstein’s five-film noir series at the Dipson Eastern Hills Cinema, isn’t only a... |
James Franco as film director Tommy Wiseau in The Disaster Artist.
Is film director Tommy Wiseau actually an ongoing performance art piece? |
 Dorota Kobiela and Hugh Welchman’s Loving Vincent is virtually two films, one of them more successful than the other. |
Frances McDormand in Three Billboards Outside Ebbing, Missouri.
Playwright-movie director-screenwriter Martin McDonagh customarily provokes, startles, unsettles, even repels, often with sudden violence. |
Dan Stevens as Charles Dickens in The Man Who Invented Christmas.
How Charles Dickens wrote the most popular Christmas story of all time. |