Film
Daisy Ridley and Mark Hamill in The Last Jedi.
The central conflict has sufficient weight to hold writer-director Rian Johnson’s somewhat messy pastiche of The Empire Strikes Back and The Return of the... |
 The Night of the Hunter (1955), the final selection in Alex Weinstein’s five-film noir series at the Dipson Eastern Hills Cinema, isn’t only a... |
James Franco as film director Tommy Wiseau in The Disaster Artist.
Is film director Tommy Wiseau actually an ongoing performance art piece? |
 Dorota Kobiela and Hugh Welchman’s Loving Vincent is virtually two films, one of them more successful than the other. |
Frances McDormand in Three Billboards Outside Ebbing, Missouri.
Playwright-movie director-screenwriter Martin McDonagh customarily provokes, startles, unsettles, even repels, often with sudden violence. |
Dan Stevens as Charles Dickens in The Man Who Invented Christmas.
How Charles Dickens wrote the most popular Christmas story of all time. |
Laurence Fishburne, Bryan Cranston and Steve Carell in Last Flag Flying.
If you were of age during the Vietnam War, your objection to it could largely be boiled down into a simple phrase: It was a stupid war, and who would want to... |
Barry Keoghan in The Killing of a Sacred Deer
Yorgos Lanthimos’s followup to his absurdly hilarious The Lobster is a unpleasant and impenetrable update on Greek mythology set in an Ohio suburb. |