Film

Our contributor Ed Grant talks to director Olivier Assayas about his celebrated satire of modern filmmaking.

In this film adaptation, Chekhov’s subtleties and singular mix of ambiguity and pointedness are often flattened by technique

Paul Schrader’s new picture seems very personal, carefully and even painfully achieved for much of its length.

​Three new films whose endings force you to reconsider everything that came before them. No spoilers, though.

One of the best parts of writing about movies that you occasionally come across a film that moves you when you weren’t expecting it.

It’s the origin story that never needed to be told…

A farmland noir, a Wim Wenders documentary, and Juliette Binoche.

This energetic sequel manages to be even more outrageous, humorous, and in-your-face than the previous film.