[POP PUNK] Pop-punk band Real Friends like to keep it simple. “I don’t think that songwriting should have to be this big, well thought out thing,” said bassist and songwriter Kyle Fasel in an interview with The Public in 2014. “One thing we built our whole band on was being honest.” Those two sentiments come across on the band’s latest album The Home Inside My Head, released on the alternative rock record label, Fearless Records in 2016.
Wednesday afternoon, the nonpartisan Congressional Budget Office released its score of the Trumpcare bill. It squeaked through the House of Representatives in early May 217-213.
It was an expensive dinner after a long day of meetings on the SolarCity project.
A senior executive at LPCiminelli, the company building the factory, ate at an upscale Italian restaurant in Albany, joined by two architects working on the project. The cost of the meal topped $120 each.
That night LPCiminelli picked up the tab. But ultimately state taxpayers footed the bill.
In 1981, philosopher and founder of the Harvard Film Archive Stanley Cavell published Pursuits of Happiness: The Hollywood Comedy of Remarriage, a study of seven screwball comedies (It Happened One Night, The Awful Truth, Bringing Up Baby, The Philadelphia Story, His Girl Friday, The Lady Eve, and Adam’s Rib) in which couples who seem perfectly matched are split apart but find their way back together.
The Albright family, at least the three members of it who we know who used one, had an ambivalent relationship with the camera. First there was Raymond K. Albright. John J. Albright’s oldest son, born to him and his wife Harriet in 1875. Raymond was 13 years old when, in 1888 his parents, with him, his sister Ruth and his brother Langdon embarked on what is reputed to have been a 14-month tour of Europe and the Mediterranean.