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Beauty Pill

[INDIE] Ongoing personnel changes marked the pair of EPs and singular full length from DC’s Beauty Pill during their initial push in the early-mid 2000s, but nothing derailed things quite like focal point Chad Clark’s bout with viral cardiomyopathy.

Willowbank Jazz Festival

[JAZZ] The 12th annual Willowbank Jazz Festival will take place on Sunday, June 14 at the Riverbend Inn & Vineyard at Niagara On The Lake with headliner Guido Basso. Basso, the well-known Canadian jazz trumpeter will be joined by a full band. Set to kick off the festival are the Bourbon Street Buskers, followed by pianist and singer/songwriter Tyler Yarema with his band His Rhythm, and traditional jazzists Climax Jazz Band.

SonReal

[HIP HOP] Vancouver rapper, SonReal, performs at the Studio at the Waiting Room with Buffalo hip-hop collective Evident Truth, and more this Saturday.

Men Without Hats

[NEW WAVE] Your eyes are not deceiving you—Men Without Hats are, in fact, still relevant, in that the 1980s-era, synth pop collective will play at the Bear’s Den on Friday, June 12. Best known for creating “The Safety Dance” and “Pop Goes The World”—two of the most familiar songs of the 1980s – MWH built on the new wave sound, bridging the gap between punk and disco with electro-popping, synth-laden cuts.

Zomboy

[ELECTRONIC/DANCE] Dubstep mavens and dance-a-holics alike in for a special treat this Friday, when Zomboy hits the stage at Town Ballroom.

Blonde Redhead

[INDIE] Listening to Blonde Redhead’s latest album Barragán, one can’t help but feel compelled to sit up straight, cook a fine meal, and unwind. Sparse guitar lines and hard-panned flutes are sandwiched between natural sound recordings of wind and flowing water. The dichotomy provokes imageries of paradox: an acrophobic clenching their wind blown umbrella, a well dressed man strapped to the top of a horse.

Arkells

[ROCK] Hailing from just around the corner in Hamilton, Ontario, alt rock band Arkells are steadily becoming a household name in this city, returning to larger and larger crowds for each performance. In 2011 the five-piece band signed to Universal Music Canada to release their second full length album, Michigan Left, marking their emergence into the mainstream Canadian music scene.

Mike Gordon

[ROCK] At six years old, Mike Gordon kept a filing cabinet. Suffering from an insatiable urge to organize, he tucked in it hundreds of self-typed documents. He couldn’t help it. This compulsion followed him to adulthood even after his band, Phish, had grown into one of America’s highest-grossing touring acts. Today, things are different—at least a little.

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