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[PUNK] The Jumpers, a five piece punk band from Buffalo featuring frontman Terry Sullivan are next in line for the free Live at Larkin concert series. The band, who helped cultivate Buffalo’s punk scene in the 1970s and 1980s, are still full of the same driving, punk energy and are sure to be entertaining live. Catch the band live in Larkin Square on Wednesday, June 28 with fellow veteran rockers the Irving Klaws.

[POP] One of the most popular Picnic in the Parkway events each year happens when the Buffalo Philharmonic Orchestra sets up in a temporary amphitheater along Bidwell Parkway. This year, as always, the BPO has an exciting night of music planned that includes, first, a set of musical classics like “Singing in the Rain,” “Aquarius” and the Suite from Beauty and the Beast. Then, after a brief intermission, the orchestra will return to perform John Williams Star Wars score—from the Main Theme to The Jedi Steps and Finale.

[POP] The second concert in the formerly free (now $5) Canalside Live series features the iconic pop vocalist Sheila E. For many, their introduction to the Mexican-American pop star came with Prince’s “Let’s Go Crazy” b-side “Erotic City.” The racy, Rick James-eqsue pop song featured Sheila E. on vocals and helped to launch the multi-instrumentalist’s career.

[COMEDY] “We are the Plastic Cup Boyz because we like to drink,” says comedian Na’im Lynn one third of the comedy trio the Plastic Cup Boyz. Only problem is, his tolerance ain’t shit, so he says. But if they’re drinking during or before their act, it doesn’t show, because these guys seem to always be sharp and quick. Cosigned by Kevin Hart, the Plastic Cup Boyz, Joey Wells, Will “Spank” Horton, and Lynn, come to Helium Comedy Club for five show this Friday, June 23 through Sunday, June 25.

[JAZZ] At 74, Jean-Luc Ponty is jazz-rock royalty—a violin virtuoso who came to the United States from France at the urging of Frank Zappa, who’d composed the music for the 1970 album King Kong, which later got picked up by Blue Note. Already considered a bad boy by jazz purists reluctant to admit the violin into their stable of preferred instruments, Ponty went on to work with Elton John and the Mahavishnu Orchestra before landing a contract with Atlantic that found him selling millions of records in the wake of successful fusion acts like Weather Report.

[ROCK] What, you may ask, is the difference between Brian Setzer’s Rockabilly Riot, which will be featured at this week’s Tuesdays in the Park show at Artpark, and the Brian Setzer Orchestra, whose appearances most Decembers light up every Christmas? For this tour, the pompadoured guitarist behind the big Gretsch leaves the horns behind for shows that are a little less swing and a little more rockabilly, though his four-piece band otherwise mines the same 1950s vein he has been working since the heyday of the Stray Cats 35 years ago.

[POST HARDCORE] To some, Thursday is the quintessential post-hardcore screamo band. There’s a never-ending debate for those of us who spent our early teen years going to shows at Town Ballroom wearing band tees and too much eyeliner, comparing the stylistically similar Taking Back Sunday to Thursday—and maybe even to Brand New and Senses Fail and the rest of them—on who encapsualtes the sound the best. Thursday kind of started it all in some ways, forming in 1997 with Joy Division—the late 1970s English post-punk band—as one of their main influences.